A fun filled weekend turns deadly when a group of unsuspecting theatre goers are trapped inside, after a ravenous spirit is resurrected and released from a Ouija board. They must confront their most terrifying fears and destroy the spirit before it finds and kills them first.
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In this low budget 80s slasher homage, a small Tennessee town becomes the playground to a sadistic, masked killer. But with the town’s sheriff and locals more worried about the big high school football game than getting to the bottom of the murders, a detective from out of town must rush to save the lives of a group of teens throwing a party in the middle of all the mayhem.
Confined to an asylum for the criminally insane for the past four years, Nica Pierce is erroneously convinced that she, not Chucky, murdered her entire family. But when her psychiatrist introduces a new therapeutic “tool” to facilitate his patients’ group sessions — an all-too-familiar “Good Guy” doll with an innocently smiling face — a string of grisly deaths begins to plague the asylum, and Nica starts to wonder if maybe she isn’t crazy after all. Meanwhile, Andy Barclay, Chucky’s now all-grown-up nemesis from the first three Child’s Plays, races to Nica’s aid. But to save her he’ll have to get past Tiffany, Chucky’s long-ago bride, who will do anything, no matter how deadly or depraved, to help her beloved evil devilish doll.
The film tells the story of documentary filmmaker Michael King (Shane Johnson), who doesn’t believe in God or the Devil. Following the sudden death of his wife, Michael decides to make his next film about the search for the existence of the supernatural, making himself the center of the experiment – allowing demonologists, necromancers, and various practitioners of the occult to try the deepest and darkest spells and rituals they can find on him – in the hopes that when they fail, he’ll once and for all have proof that religion, spiritualism, and the paranormal are nothing more than myth. But something does happen. An evil and horrifying force has taken over Michael King. And it will not let him go.
When Hellboy, Liz Sherman, and Abe Sapien are assigned to investigate the ghost-infested mansion of a publicity-hound billionaire, they uncover a plot to resurrect a beautiful yet monstrous vampire from Professor Bruttenholm’s past. But before they can stop her bloodbath, Hellboy will have to battle harpies, hellhounds, a giant werewolf, and even the ferocious goddess Hecate herself.
The year is 1955. NATO and the Allied Forces have been conducting secret, occult experiments in a bid to win the Arms Race. Now, they have finally succeeded but what the Army has unleashed threatens to tear our world apart. One woman must lead the only survivors past horrors that the military has no way to control – and fight to close what should never have been opened.
The Draymen Estate has become an urban legend. Amongst the sinister stories of unsavoury locals and brutal violence, several people have apparently gone missing. Even the police won’t go there. Eter two naive student filmmakers with a well-meaning plan to make a sympathetic documentary of life on the estate. The unlucky duo quickly discovers that problems of drugs and crime in this community go way beyond the norm. This is a community which is about to present the students with material of unimaginable horror – turning their final project int their darkest nightmare.
God and Satan are on a train discussing the fate of three individuals. The stories of the people in question are told in a trio of very strange vignettes. One involves an insane anylum with some very interesting treatment plans. Another involves a ‘death club’. The final story shows us the adventures of a server of Satan.
An elementary school teacher named Yui visits the home of a boy named Toshio Saeki who’s been absent from school for a long period of time. When she arrives, she re-lives the horrifying events that occurred in the Saeki household 10 years earlier.